The Study of Proportions of the Large Vihara in Kruba Srivichai Process: the Technical Relationship, Art Patterns and the Patronage Network

Abstract

            This research article is part of a research project on “Craftsman and network patronage of Buddhist art in Lanna: An Art history analysis”. The objective research investigates the craftsmanship identity work of art together with historical evidence and to explain the technical relationship between the art patterns and the patronage network. This article shows that the analysis of a large Vihara in the Kruba Srivichai process, totaling 6 Vihara, using the concept of Vihara proportion (Mok), as a tool for determining    proportion, both in terms of the main structure and architectural elements. The research found that large Viharas use Mok 18 and 16 proportions, a combination of traditional and new material, namely concrete. This phenomenon occurredin Chiang Mai, Lamphun, Lampang, and Phayao during the Buddhist decade 1917 - 1927, with the network of monks, disciples, Chinese technicians, and the patronage of the new middle class.