กระบวนการต่อรองในการผลิตภาพยนตร์ เชิงสังเกตการณ์ผ่านปฏิบัติการสังคม: กรณีศึกษาการคัดค้านการขยายท่าเรือแหลมฉบัง เฟสสาม ชุมชนบางละมุง จังหวัดชลบุรี

Abstract

                   The research paper involves film production process of the documentary The Third Eye. There are two objectives. Firstly, the paper aims to study negotiation between outsiders: the author and the film crew (students); and villagers: community leaders and film characters in production process of observational cinema. Secondly, the purpose is to explore the outsiders and the villagers’ capital that was employed in a production process of observational cinema. 
                    The finding indicates that in principle, observational cinema scholars stress that filmmakers should not dominate local people and filmming process. Rather, it aims to allow diversity of local people to speak and tell reality. Nevertheless, in practice, filming and distributing process ac-tually is a “field” of negotiating by using relevant various “capital”.
                    Furthermore, it was found that the filmmaker team obtains two main cultural capital: objectified state and institutionalised state while the locals and the main actor (Uncle Banjob) employ “embodied state” and “habitus’. His embodied state and habitus is talent on fishing as a “daily life practice” which he uses to negotiate effectively and constructs “an insider’s meaning” through the process of making observational documentary as a social practice.