Representing Emotional Lives of Precarious Japan: Jun Ichikawa’s Tony Takitani
Keywords:
film language, Japanese films, Jun Ichikawa, emotions, precarityAbstract
The objective of this paper is to analyze how Japan’s postwar history, particularly the current time of precarity, is represented in the Japanese language film Tony Takitani. In addition to the conventional cinematic expression of narration and background music, Jun Ichikawa and his colleagues effectively used (1) shallow focus and off-screen environmental sounds to depict the characters’ isolation from society, and (2) a combination of editing, screen direction, and character movement to suggest how history is experienced differently by the multiple characters. By contrasting Tony, who is tormented by a sense of loss, with the optimistic Hisako, Ichikawa portrayed the pivotal moments in Japan’s postwar history not merely as tragic, but as multifaceted.
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