Music Education: The Chinese Bel Canto Theory of Peking University’s Opera Research Institute: A Case Study of the Opera Jiang Jie
Keywords:
The Chinese Bel Canto Theory, Opera Research Institute, Peking University, The Opera Jiang JieAbstract
This paper examines the application of Chinese Bel Canto theory, as articulated by the Peking University Opera Research Institute, through a detailed case study of the opera "Jiang Jie." This notable work centers on the life and struggles of Jiang Jie, a female revolutionary during the Chinese Civil War. The opera explores themes of loyalty, sacrifice, and heroism, highlighting Jiang Jie's dedication to her cause and the emotional turmoil she experiences in her fight against oppression. The research method is qualitative research, which mainly combines the literature review and Field Research. The findings found that, the study explores how vocal techniques and body language enhance character portrayal and emotional depth. Key findings reveal that skilled manipulation of sound dynamics—encompassing variations in intensity, timbre, and rhythm—enables performers to convey complex emotional states effectively, thereby reflecting the inner lives of their characters. Furthermore, the research underscores the significance of synchronizing vocal expression with physical movement, resulting in a more vivid and impactful theatrical experience. Ultimately, this study examines how Bel Canto principles shape contemporary Chinese opera, enhancing emotional depth and artistic impact in 'Jiang Jie’. This analysis enhances our understanding of how Western vocal traditions intersect with Chinese operatic practices, highlighting the ongoing evolution of performance art in China.
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