Vol. 8 No. 2 (2022): Music and Performing Arts Journal (Vol.8 No.2) : July - December

Research Article

• THE CONSTRUCTION TRAINING PACKAGE TO DEVELOP OF “VOCAL ACCOMPANIMENT FOR SAW SAM SAI (THREE STRINGS FIDDLE)” FOR VOCATIONAL STUDENTS IN THE COLLEGE OF DRAMATIC ARTS

  Chanachai Kawpachone

  7-20

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• A CROSS-CULTURAL COMPOSITION WITH MYANMAR AND WESTERN MUSICAL LANGUAGES

  Wai Hin Ko Ko, Koji Nakano, Ronnachai Rattanaseth, Kittipan Chittep

  21-34

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• IMPROVISATIONS OF WYNTON MARSALIS, BRANDFORD MARSALIS AND KENNY KIRKLAND IN BLACK CODES

  พีรพัฒน์ บัวนิลเจริญ, เด่น อยู่ประเสริฐ

  35-46

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• MAX ROACH’S IMPROVISATION APPROACH ON THE DRUMS ALSO WALTZ, DRUMS UNLIMITED, AND FOR BIG SID

  Phanupan Suktanarak, เด่น อยู่ประเสริฐ

  47-56

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• PROCESS OF MAKING KLONG THAD BY MASTER SANAN BUAKLEE

  Paramet Eidnimit, Kumkom Pornprasit

  57-67

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• DUAL POSAUNE: A SOLO TROMBONIST WITH A DUAL PERSONA BY AIDEN HARTERY

  Norrasate Udakarn

  68-76

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• INSTRUCTIONAL TECHNIQUES FOR SINGING “FORN MALAI”

  Navarisa Tanyarodvivat, Chaipruck Mekara

  77-93

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• INTAKA ASURABAN: A CREATIVE THAI TRADITIONAL DANCE BASED ON DEITY MYTH IN BUDDHISM

  Jetsada Netplab

  94-109

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• MUSIC COMPOSITION: TUB RUENG KOH SICHANG

  Santi Udomsri, Pattarawadee Phuchadapirom, Pakorn Rodchangphuen

  110-124

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• THE STUDY OF LEARNING ACHIEVEMENT AND SATISFACTION BY USING THE KHLUI PHAING AW PRACTICE PACKAGE FOR PRATHOMSUKSA 5 AT PIBOONBUMPEN DEMONSTRATION SCHOOL, BURAPHA UNIVERSITY

  Opat Suwannapho, Nuttika Soontorntanaphol

  125-135

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• THE CREATIVE SINGING HUANG HANG RAK SUITE FROM THE LEGITIMATE DRAMA, MADANABADHA.

  Ladawan Arkasuwan

  136-148

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